Saturday, October 4, 2014

More than 'what you see'...


It was more than seeing for me...watching, learning and feeling - it's got even better…

All these years, I have been looking at, exploring, and trying out Watercolor Paintings, on my own, in my own way...looking at other Artists' Paintings, exploring and trying to figure out how they did it, reading and imagining things explained in books, watching few not-much-useful videos on youtube etc. But, the workshop that I attended recently, the one by Thomas W. Schaller made me feel like, now I am very-well-taught on Watercolor Painting. It was just a 4-day workshop, but I felt like I learnt a lot in those 4 days by watching very closely and observing one of the “Masters of Watercolor” at work, Thomas W. Schaller, who gave us many demos of various watercolor paintings. I truly felt like I learnt a lot in just 4 days. I never felt like that with anything. I even felt as if I finished a Fine Arts degree in Painting. Ha haa...sounds little exaggerating in my words, but that’s exactly what my heart felt like ;)

Day-1
On the first day morning, we- all registered enthusiastic Artists met at Northeast Art Workshop Studio in Gloucester, MA. After self introductions, Tom gave us a brief and great introduction to Painting and started a Demo Painting of Gloucester Bridge, chosen from a picture he took only that morning.


Day1: Demo
What an amazing experience watching all the magical brush strokes of Tom. All these months, ever since I first saw one of his Paintings on Facebook, I have been admiring and wondering, how well each painting was done. I am glad I told Tom “I feel like learning from you” on Facebook. Thanks to Tom for his prompt reply and mentioning about the workshops that he conducts all over the world and referring me to his web-site http://thomasschaller.com/. Just in time, I was really lucky as there was one coming up in Boston itself and without thinking I registered for it. Thanks to Tom and Thanks to Facebook too ;)

After Tom’s demo of explaining many many great things while he was painting we were on our own doing the same painting that he demoed. I finished my painting and drove back home in very high Art spirits with a very satisfied feeling of “Yes, I could do it”. That wonderful feeling of “I could do it” cannot be expressed any better, in words.

The following is my finished work of the day:
Gloucester Bridge - Watercolors on Paper 16" x 20"
Day-2
The day was well planned and loaded with a couple of Demos by Tom including an evening Demo session at the beach. We all met in downtown Gloucester that morning. The morning was gorgeous and perfect for an outside Painting. Tom walked around and decided to do his "Onsite Demo" of the beautiful view of a street with a nice house & a tree on one side of the road and a nice row of houses on the other side with the City Hall seen up in the skies as the backdrop. 

Day2: Demo1
What a perfect pick for an onsite painting and how effectively an Artist’s eye sees beautiful things around... Tom quickly set up his easel and started Painting demo of that view. The painting started shaping up and it was an amazing experience for me watching an outside onsite painting. At the end of the demo, it was another quickly painted "masterpiece" by Tom.

Day2: Demo2
Afternoon, we were let free to go around that place, select our own view of interest, settle down and start Painting. I selected the City Hall view, started my Painting but couldn’t finish it. Then, we all walked down to the harbor from there. Tom planned to do another demo at that place. The harbor was so beautiful. There was a little Circus set up next to the harbor lane and some construction was going on. The Circus tents, trucks and a giant wheel was visible through the scaffolding. Tom chose to do a demo of that view. Many of us must have wondered like I did, interesting...a view of the circus through scaffolding. As the Painting started to take shape and colors started to flow on the Paper with wonderful Tom's unique brush strokes, I could only hear many wows. Only Artist can see Art in everything and anything. Again, it was a jaw-dropping experience for me watching that Painting by Tom. It was almost 5pm by that time and we all dispersed to meet at the Mangnolia Beach around 8pm.

I drove early to that location as I didn’t have anything else to do, had my dinner at the House of Pizza, 35 Fuller St. and worked little bit on my unfinished Painting of the City Hall at the beach. I wasn’t happy with the way my painting was coming along and stopped after few minutes. It was very beautiful watching all the colors that the Sun was painting on the skies while going down during Sunset.

As we all gathered around 8pm, the light started to diminish slowly. Tom set up his easel on a rock at the beach and started to Paint the view of a house with a wooden bridge leading into the sea, colorful skies and calm waters. We started feeling the low visibility as it was getting dark quickly. But, Tom continued his painting and finished it in the dark. At the end, somebody had to put a flashlight on for us to see the painting in that darkness. and the evening ended with claps. We had 3 Demo Paintings at 3 different locations done and it was a wonderful experience and a feast of Paintings, for me.

Here is my unfinished painting of the day:
Gloucester City Hall

Day-3
We met in the morning at the Hammond Castle (http://en.wikipedia.org/wiki/Hammond_Castle).
Day3: Demo
That was such a beautiful location on the coast, soon after we reached there, we started taking pictures all over. Again, Tom selected the most beautiful view of the castle and did a Demo Painting. It was just an amazing Painting again. The rest of the afternoon, we spread all over, settled down around that Castle and pretty much were Painting the views that we liked. It was again a wonderful experience painting onsite at that beautiful Castle.




The following is my finished work of the day:
Hammond Castle - Watercolors on Paper 16" x 20"

Day-4
The last day of the workshop, we met at the Northeast Art Workshop Studio in Gloucester  in the morning and Tom did another Demo Painting of one other view of yesterday’s Castle from a picture that he took. No surprise, it was an amazing painting again. 


Day4: Demo
That was the last Demo of the 4-day workshop. We all had a group picture, and then few left little early to catch their flights flying back home. The rest of the afternoon, the remaining of us started a new Painting of our choice from pictures of our own. Tom offered a positive critique session, what he called a “surgery session”. We were all asked to choose one of our own paintings that we did during this 4-day workshop for the surgery session and tell Tom the aspect of it that we though would need a surgery. Tom went on doing quick surgeries to our chosen paintings, one after another explaining how it can be improved further from many aspect of a Watercolor Painting. That was a great session and gave me a good insight on getting to know how some corrections can be made after finishing a painting.

Painting in Dark by Tom
At the end, I got a chance to buy one of the Demo Paintings of Tom. I bought the Demo Painting done at the beach in the dark. I was proud to own the original, the very first of such done by Tom in the dark.

It was such a wonderful, memorable, heartful and artful experience for me attending this great workshop by Thomas W. Schaller. Those 4 days of truly living in my dream world of Art with many Artists around including one of the great Artists I have started to admire lately, was an unforgettable experience for me. I am so glad that I took time off and had put in some efforts to make one of my dreams come true- the dream of watching and learning from Masters. I felt like I get to learn how masters paint, how they think and how they see Art in everything.

Kat (Katalene Masella), the organizer of this workshop planned all 4 days filled with much of fun and learning at great many areas in the beautiful Gloucester town of Massachusetts. A great many thanks to Kat for all her very well planned and coordinated efforts.

Tom started the first day of this workshop with this opening quote: “It's not what you look at that matters, it's what you see.” - Henry David Thoreau, I learned “what to see”. In fact, for me, it was more than learning “what to see”. It was learning from a Watercolor Master on “what to see and how to paint”.

Many many thanks to Tom. I am glad that I have come to know about him. He remains one of the few Masters I admire.

It was a truly memorable experience that I will cherish for rest of my life!

Happy Painting!

Friday, September 26, 2014

Natyanjali-4: Indian Classical Dance...

Indian Classical Dance
Natyanjali - the Series of Indian Classical Dance goes on...Happy to share this fourth Painting of this series.

Materials 

Mediums: Watercolors
Surface: Artistico Fabriano Watercolor Paper, 140 lb Cold Press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Holbein Artist Watercolor (HWC) Cadmium Red,
Winsor & Newton Raw Sienna, Quinacridone Gold, Cobalt Blue and Neutral Tint
Brushes: Raphail Mop 8, Da Vinci Kolinsky Round Size 1 and 5

Sunday, September 14, 2014

"బాపు" గారి దివ్య స్మృతికి సభక్తికంగా...

కొంటె బొమ్మల "బాపు"

"బాపు" గారి బొమ్మలని అనుకరించాలని ప్రయత్నించని, గీత మీద ఆసక్తి ఉన్న తెలుగు వ్యక్తి ఉండడు, ఉండబోడు. ఆయన మన మధ్య భౌతికంగా ఇక లేరు అన్న ఆలోచన తెలుగు వారి మనసున ఎన్నటికీ మింగుడు పడదు. తెలుగు అక్షరానికీ, తెలుగు దనానికీ, తెలుగు బొమ్మకీ, ఆ ముక్కోటి దేవుళ్ళకి సైతం తన గీతలతో ఎనలేని వన్నెని తెచ్చి, ఇచ్చి, "కళా ప్రపూర్ణ" కి పరిపూర్ణమైన అర్ధాన్నీ, రూపాన్నీ ఇచ్చిన "బాపు" గారి మీద అభిమానాన్నీ, భక్తినీ మాటల్లోనూ, బొమ్మల్లోనూ ఎంత చాటుకున్నా తనివితీరదు.

ఆయన "దివ్య స్మృతికి" సభక్తికంగా...


Materials 
Mediums: Watercolors
Surface: Artistico Fabriano Watercolor Paper, 140 lb Cold Press
Size: 16" x 20" (40 cm x 50 cm)

Sunday, August 31, 2014

"బాపు" గారికి కన్నీటి వీడ్కోలు...

Sri Bapu
"తెలుగు అక్షరానికి వంపుల సోయగం అద్ది
తెలుగుదనానికి రేఖల నిండుదనం నింపి
తెలుగు ముంగిట ముత్యాల ముగ్గులు వేసి
తెలుగు మదిన చెరగని రేఖలనెన్నో గీసి
ప్రాణ మిత్రుని చేర పయనమేగిన "బాపు"
గారికి కన్నీటి వీడ్కోలు..."
-గిరి
One of Bapu's drawings from my hand in 1982
"బాపు" గారి రేఖలని అలానే గీయాలని ప్రయత్నం చెయ్యని
తెలుగు చిత్రకారుడు ఉండడు, ఎన్నటికీ ఉండబోడు...

చిన్ననాట 1982, స్కూల్ లో నేను చేసిన అలాంటి ప్రయత్నం
ఈ రోజు "బాపు" గారి నీ ఆయన రేఖలనీ గుర్తు చేసుకుంటూ
ఆయన ఆత్మకు శాంతి కలగాలని మనసారా కోరుకుంటూ...
కన్నీటితో...
-గిరి

Saturday, August 30, 2014

An Indian Festival full of Art - Vinayaka Chavithi

Hand-made Lord Ganesha made of Natural Clay
Ganesh Chaturthi a.k.a. Vinayaka Chavithi is an Indian Festival celebrated all over India. In fact, this is probably the only festival that special idols of Lord Ganesha are made or bought and worshipped for many days. The idols are immersed in lakes and rivers on the last day of the festival.

The idols are made in great many forms...there are no restrictions or limits to one's imagination of creating an idol of Lord Ganesha. Recently, making idols with eco friendly material has been gaining popularity in and outside India due to increasing environment pollution.

I also celebrated this year's festival by making an Idol from natural clay. Sculpture being another form of Art that I have been aspiring to do since my childhood, this festival gives me a chance to test my aspiration. This is my 5th year of celebrating this festival by making an idol of Lord Ganesha.

Happy sculpting and Happy Vinayaka Chavithi ;)

Vinayaka Chavithi Pooja

Sunday, August 17, 2014

Natyanjali-3: Indian Classical Dance...

Indian Classical Dance
Indian Classical Dance - Happy to share this third Painting of this series.

In watercolor painting, as in life: "what you don't paint is equally important as what you do paint" - Steve Puttrich @StevePuttrich

Materials 

Mediums: Watercolors
Surface: Artistico Fabriano Watercolor Paper, 140 lb Cold Press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Holbein Artist Watercolor (HWC) Cadmium Red,
Winsor & Newton Cadmium Lemon, Raw Sienna, Quinacridone Gold, Cobalt Turquoise and Neutral Tint
Brushes: Raphail Mop 8, Da Vinci Kolinsky Round Size 1 and 5

Saturday, August 9, 2014

Natyanjali-2: Indian Classical Dance...

Indian Classical Dance

Indian Classical Dance - It's been one of my dream subjects. I always wanted to do a series of Paintings on this subject. Now, I am happy to present the Second Painting of this series.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Artistico Fabriano Watercolor Paper, 140 lb Cold Press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Holbein Artist Watercolor (HWC) Cadmium Red, Yellow Ochre
Winsor & Newton Cadmium Lemon, Ultramarine violet, Raw Sienna, Quinacridone Gold, Cobalt Blue and Opera Rose
Brushes: Raphail Mop 8, Da Vinci Kolinsky Round Size 1 and 5

Saturday, August 2, 2014

Natyanjali-1: Indian Classical Dance (Bharata Natyam)...


Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Artistico Fabriano Watercolor Paper, 140 lb Cold Press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Holbein Artist Watercolor (HWC) Lavender, Yellow Ochre
Winsor & Newton Cadmium Lemon, Hookers Green, Raw Sienna, and Opera Rose
Brushes: Raphail Mop 8, Da Vinci Kolinsky Round Size 1 and 5

Sunday, July 13, 2014

Sculpture Painting...


Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Beinfang Watercolor Paper, 140 lb. 207 GSM
Size: 9" x 12" (23 cm x 30 cm)
Paints: Winsor & Newton Ultra Marine Blue, Cadmium Lemon, Hookers Green and Grumbacher Violet
Brushes: Da Vinci Kolinsky Round Size 5

Saturday, July 12, 2014

New Art Material (Friends)...

New Art Material
Just in time for my new Painting- got new Art Material order from BLICK art materials:

  • RAPHAEL Pure Squirrel Mop Brush (No. 8)
  • Brush Holder plus Stand
  • HOLBEIN Artist's Water Colors (HWC), 15ml
    • Yellow Ochre
    • Lavender
    • Cadmium Light Red
  • FABRIANO Artistico Watercolor Paper pack of 5 (16" x 20", 140 lb, cold press)
  • SAUNDERS Watercolor Paper, High White (22" x 30", 140 lb, cold press)
  • Hardboard Panels (24" x 30", 16" x 20" and 9" x 12")
Going very ambitious from now..... ;)

Happy Painting ;) 

Sunday, July 6, 2014

Portrait of my Niece...

Portrait of my Niece
It's been a long time since I did a Portrait of one of my family members. This time, the lucky person is my Sister's daughter :)

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Canson Aquarelle Artist Watercolor Paper, 140 lb, Cold press
Size: 11" x 14" (28 cm x 36 cm)
Paints: Winsor & Newton - Burnt Sienna, Ultramarine Violet, Ultramarine Blue, Cobalt Turquoise Light, Cadmium Lemon Yellow, Opera Rose, Permanent Sap Green and Neutral Tint.
Brushes: Da Vinci 8, 3 and 2 round Sable

Saturday, July 5, 2014

Beautiful Andhra...

Beautiful Andhra
Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Arches Watercolor Paper, 140 lb, Cold press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Winsor & Newton - Burnt Sienna, Ultramarine Violet, Ultramarine Blue, Cobalt Turquoise Light, Cadmium Orange, Cadmium Lemon Yellow, Permanent Sap Green and Neutral Tint.
Brushes: 8 round Sable, and 2 round Sable

Friday, July 4, 2014

Happy July 4th...

Statue of Liberty

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Canson Aquarelle Artist Watercolor Paper, 140 lb, Cold press
Size: 11" x 14" (28 cm x 36 cm)
Paints: Winsor & Newton - Burnt Sienna, Ultramarine Violet, Ultramarine Blue, Cobalt Turquoise Light, Cadmium Red and Neutral Tint.
Brushes: 8 round Sable, and 2 round Sable

Sunday, June 29, 2014

Boston Seaport...

Boston Seaport
Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Arches Watercolor Paper, 140 lb, Cold press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Winsor & Newton - Burnt Sienna, Cadmium Orange, Ultramarine Violet, Ultramarine Blue, Cobalt Turquoise Light and Neutra;l Tint.
Brushes: 8 round Sable, and 2 round Sable

Sunday, June 15, 2014

Father's Day(s)...

The most precious things in life are the moments spent with loved ones. As time passes by, those moments when recalled from heart, time-to-time take us back to them. The more we recollect those moments, the more precious they (be)come to us.

As the world celebrates Father's Day today, my heart goes back to my Father by recollecting very few years of my childhood life that I could hardly remember to recollect.

Childhood- certainly is the only phase of life that looks very precious in life as we grow old. In my opinion, those who could fully spend their childhood with their parents are the most gifted children in the world. That's the age that knows nothing but Mom and Dad. That's the age that world means just Mom and Dad. That's the age when stayed away just for a few days, cries to go back to see Mom and Dad. That's the age that never comes back, but of course everyone wants to go back.

Like many children I did cry a lot to go back to to see my Mom and Dad, but I could only go back and see my Mom but not my Dad. God is great, but not greater than the Hearts of Kids that he makes them cry.

When I recollect those fewer early years of my life that I spent with my Dad, I only can recollect his very pleasant and smiling face; I only can recollect very few days that he used to take me and my brother to a near by park on some very pleasant evenings after he returned home from his school; I only can recollect a couple of movies that he took us to when we felt like on top of the world sitting in a Balcony seat next to him and watching the movie; I only can recollect my only bus journey with my Dad from Tirupati to my school as we missed a train that I was supposed to catch to go back to school after my vacation along with my friend's Dad; I only can recollect one instance of him drawing the portrait of Swamy Vivekananda;  I only can recollect the days that he didn't even let me see him during his last days of fighting with Cancer and asking my Mom to keep me away as I would be frightened if I would see him like that; I only can recollect the very last day I was with many people crying around after God took my Dad away from us; I only can recollect countless moments after that in my life crying alone for him; I only can recollect many many dreams in which he was always coming back to us surprisingly after so many years, but disappearing as I suddenly woke up.

Along with very few memories, my Dad also left a few of his Drawings with us. I love Art. I believe I inherited his skill of Art and hence I always see my Dad in my Art. I also very strongly believe that  he is still living with me and every Art work that I do, I see my Dad in it. I missed much of my childhood without my Dad living with us. Now, I learn that I only can fulfill it by my Art.

Art lives long and Soul lives even longer in it. But I have more than one Soul living in my Arts. Certainly my Dad's soul is next to mine in each of my Art work. He didn't even know that I had inherited his skill. Now, I feel, he sees that I not only inherited his skill but keep it alive with me in my (he)art.

After all the life without my Dad, I see my Dad as a Person from whom I would have learned more in my life than anybody else, a Soul that still inspires me day-to-day in life.

Here are a couple of his Drawings that I tried to preserve. The "Portrait of Lord Rama and Sita" that he did when he was in his Teachers Training College in Bangalore, India and the "Portrait of Abraham Lincoln" that won first place in a all India state-level drawing competition held in Nellore when he was doing his B.A. degree in Venkatagiri Raja's College known as VR College, Nellore, AP, India. Both were done with Pen and Indian Ink on Paper.

HAPPY  FATHER'S  DAY!

Portrait of Lord Rama and Sita

Portrait of Abraham Lincoln

Sunday, June 1, 2014

One of my Dream Paintings...

Hampi - Watercolors on Paper

Every Artist dreams to paint certain subjects, places or people of personal interests. Hampi- once used to be the Capital City of Vijayanagara Dynasty, and now left as a ruined City of Magnificent Sculpture has been one of my dream places of subject for a series of paintings.

I visited this city with my friends when I was in Engineering College and that still remains as one of memorable vacations in my life. We spent a tireless day walking all around the ruins of great many sculptures and many many wonderful things heard and seen in this big city spread through few square kilometers on the banks of river Tungabhadra. Though much of this city was ruined long ago, each sculpture and rock speaks in silence about the skill of many great Sculpturers who built this glorious city of sculptures.

I am glad to make a bold attempt of one of my dream paintings on a bigger size. Many more to come in coming years...

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Arches Watercolor Paper, 140 lb, Cold press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Winsor & Newton - Vandyke Brown, Raw Umber, Burnt Sienna, Hooker's green, Ultramarine Blue and Prussian Blue.
Brushes: 8 round Sable, and 2 round Sable

Sunday, May 25, 2014

The Jewelry of my Palette...

My Set of Winsor and Newton professional watercolors
After trying different Manufacturer's and various qualities of Watercolors, I started to fall in Love with Winsor & Newton Professional watercolors. The transparency is great. The colors are available in many shades. Professional Artists say that just the primary colors- Red, Blue and Yellow are enough. That is so true and any color shade is possible with these 3 primary colors. But it is good to have other shades added to the set.

I will add few more shades of Winsor & Newton Professional Watercolors to my set and I think with that I will be all set for many years of happy painting.

I also have tried and experienced different Manufacturer's and various types of Watercolor paper. I think I started to develop my own taste for the paper too.

Happy Painting ;)

Saturday, May 17, 2014

New additions...


I am happy to add more Professional watercolors to my set, bought from BLICKstudio. As Watercolor Artists always say- watercolors are expensive, but they last for a lifetime.

TOP - Left to Right 

Winsor & Newton Professional 14ml - Raw Umber
Winsor & Newton Professional 14ml - Vandyke Brown
Winsor & Newton Professional 14ml - Prussian Blue
Winsor & Newton Professional 14ml - Indigo

BOTTOM - Left to Right 

Winsor & Newton Artist's Series 1AA 14ml - Davy's Gray
Winsor & Newton Professional 14ml - Permanent Sap Green

Happy painting ;)

Sunday, April 27, 2014

A painting can change the mood...

Bharatanatyam
Certain days have a gloomy start; we don't know what to do, but we feel like doing something close to our heart. Yesterday, on such a day, I opened my college-days collection of paper cuttings. Most of those were mainly appealing to me and a source of inspiration for me to start a drawing or painting during my college-days. A small black and white picture which I believe I did a pen sketch for our college magazine made me to start this painting. Guess what, rest of my day took me out from this world for few hours.

I tried to get that very pleasant face into my painting. At the end, I felt like I should have started even on a bigger size paper. I gave my best to turn my gloomy day into a bright one.

Art is always inspiring, refreshing and can change bad mood into good mood.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Canson Artist Series Watercolor Paper, 140 lb/300 G, Cold press
Size: 11" x 13 1/2" (28 cm x 34 cm)
Paints: Winsor & Newton - Opera Rose, Raw Sienna, Olive green, Grumbacher Academy Violet and Rowney Georgian Ultramarine Blue
Brushes: 8, 6, 2 and 000 round Sable

Stages 
Stage-2: Initial Painting


Stage-1: Pencil sketch


Friday, April 18, 2014

Telugu Girl...


Telugu Girl
Enjoyed doing this portrait along my journey of exploring watercolor painting.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Arches Watercolor Paper, 140 lb, Cold press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Winsor & Newton - Raw Sienna, Cadmium Orange hue, Olive gren, Hooker's green, Rowney Georgian - Burnt Sienna, Grumbacher Academy - Cadmium yellow pale hue, Ivory black
Brushes: 8 round Sable, and 2 round Sable

Sunday, March 16, 2014

Going bigger....


A feedback that I got lately from many of my friends and viewers was- "You will have try bigger paintings". I attempted a portrait on a bigger paper 16" x 20". This is probably the biggest portrait and watercolor painting I have ever tried so far.

This is based on Telugu playback Singer and multi-talented artist Sunitha's portrait posted on her Facebook page. Though I lost her exact facial features along the way, I enjoyed doing a portrait of this big in size. It is easier to flow and blend colors.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Arches Watercolor Paper, 140 lb, Cold press
Size: 16" x 20" (40 cm x 50 cm)
Paints: Winsor & Newton - Raw Sienna, Cadmium Orange hue, Olive gren, Hooker's green, Rowney Georgian - Burnt Sienna, Grumbacher Academy - Cadmium yellow pale hue, Ivory black
Brushes: 8 round Sable, and 2 round Sable

Saturday, March 8, 2014

New world of learning possibilities...


Learning is the only process that has no end in life. There are many possible ways of learning anything. When we try a new way, suddenly a new world opens up for new possibilities.

I started sketching on my train commute to work almost two years ago and I had quickly finished a couple of sketchbooks. When I look back, I could clearly notice the progressive-difference from page to page. After all, one can only improve by practicing - the best way of learning and sharpening skills.

With my enjoyable daily-sketching experience, I felt like doing continuous painting for improving my study of color on paper- watercolor painting. I am taking my daily-sketching to a new level- frequent painting studies by opening a watercolor sketch pad. Hope this opens up a new world of possibilities and bring in some rewarding experiences.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Artist's Loft Watercolor Paper, 140 lb/300 g/m2
Size: 9" x 12" (23 cm x 30 cm)
Paints: Grumbacher- Violet, Winsor & Newton - Raw Sienna, Cobalt blue
Brushes: 10 round sable, 00 synthetic Winsor & Newton

Sunday, March 2, 2014

Himalayas...

Himalayas - Mountain Nanda Devi

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Artist's Loft Watercolor Paper, 140 lb/300 g/m2
Size: 9" x 12" (23 cm x 30 cm)
Paints: Winsor & Newton - Raw Sienna, Cobalt blue, Cadmium Orange hueRowney Georgian - Burnt Sienna, Ultra Marine Blue
Brushes: 1 1/2" Flat Wash, 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Saturday, March 1, 2014

Art Inspires Art...

Indian Classical Dance
One form of Art always inspires another form of Art, there is no doubt about it! Indian classical dance is a very fine subject for any Artist to do a series of Drawings and Paintings. The gestures and facial expressions found in this form of dance are endless.

I happened to go to an Arangetram (the debut on-stage performance of a classical dance student ) of one of my neighbor's daughter. She was such a wonderful dancer and her performance was so inspiring and I took pictures of many postures for my series of future paintings. This painting is based on one of those pictures.

This is another painting that I started more than an year ago, but only finished it last week to call it "done". For many days I was just looking at it thinking about what to put in the background. Finally decided to just go with a bright color in watercolor way. I am happy with the color that I had put for the background and it helped elevate all other colors in this painting and made this painting more appealing to me.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Beinfang Watercolor Paper, 140 lb. 207 GSM
Size: 9" x 12" (23 cm x 30 cm)
Paints: Grumbacher - Violet, Cadmium Yellow pale hue, Winsor & Newton - Raw Sienna, Cobalt blue, Cadmium Orange hue, Hooker's Green, Rowney Georgian - Burnt Sienna, Ultra Marine Blue
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Saturday, February 22, 2014

Wah Taj...

TajMahal - Watercolors om Paper

Wah Taj....!
The moment of saying this, standing in front of Taj Mahal has never come in my life. I hope a day will definitely come to go and see this amazing monument of Love. It's been one of my to-do dream paintings and sculptures.

This is just an attempt of learning watercolors. Though I started this painting almost an year ago, it's only in the last few days, I could touch it again and call it completed.

I will definitely attempt it again in a big way in coming years.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Beinfang Watercolor Paper, 140 lb. 207 GSM
Size: 9" x 12" (23 cm x 30 cm)
Paints: Grumbacher - Violet, Winsor & Newton - Raw Sienna, Cobalt blue, Hooker's Green, Rowney Georgian - Burnt Sienna, Ultra Marine Blue
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Sunday, February 16, 2014

Two Roses...


I continued to paint flowers, the theme chosen in January, 2014 for exploring the beauty of flowers and colors with watercolor painting. Along the way, I learned many things and applied few techniques that I learned from books.

I applied the fooling techniques in this painting and enjoyed free flow of colors on the paper:
  • Masking fluid
  • Table salt
  • Loose painting
Materials 

Mediums: Watercolors
Surface: Strathmore Watercolor Paper 400 Series, 140lb 300 g/m2 (unstretched)
Size: 12" x 16" (30 cm x 40 cm)
Paints: Grumbacher - Violet, Winsor & Newton Olive Green, Hooker's Green, Grumbacher Academy - Cadmium Yellow Pale Hue, Rowney Georgian Ultramarine Blue
Brushes: Da Vinci 36 Kolinsky Round Size 8, 5, 2

Stages

Stage-1
Stage-2
Stage-3

Stage-4
Stage-5

Saturday, February 15, 2014

My New Art Friends ;)


My new Art Friends

Artist's Loft Watercolor Pad, 140 lb / 300 g/m2, 9 in x 12 in Cold press, 24 sheets

Bought at Michaels, not that expensive. I bought this for my daily watercolor painting. I am carrying this with me in my backpack to do pencil sketches on the train and do painting at home afterwards.

Canson Watercolor Aquarelle Cold press 140 lb / 300 G, 11 in x 14 in, 20 sheets

Bought from Blick Art online, little expensive. I wanted to try different watercolor papers and see which one I like most.

1 1/2 inch Flat wash brush

Realized that a brush like this needed for wetting the paper for doing any backgrounds. Very expensive one. Bought from Blick Art, online.

Also bought  a sheet of 300 lb Arches watercolor paper from Blick Art- This is supposed to be the kind of paper that all Artists say, there's nothing like this....yet to try and experience painting on this heavy weight paper surface...of course it is expensive too.

Happy Painting ;)

Shirley Temple...

Shirley Temple
Portrait of Shirley Temple, who lifted America's spirits as a bright eyed, dimpled child movie start during the Great Depression and forged a second career as a U.S. diplomat.

She died at the age of 85 and this painting is a tribute to her and is based on a black and white picture from a news paper.

Materials 

Mediums: Watercolors
Surface: Artist's Loft Watercolor Paper 140lb 300 g/m2 Cold press
Size: 9" x 12" (22.8 cm x 30.4 cm)
Paints: Grumbacher - Violet, Winsor & Newton - Opera Rose, Raw Sienna, Rowney Georgian Ultramarine Blue
Brushes: Da Vinci 36 Kolinsky Round Size 8, 5, 2, and 000 Sable synthetic blend

Saturday, January 25, 2014

My New Watercolor Brushes....

My New Watercolor Brushes

This is my birthday gift to myself this year. I bough these Red Sable Watercolor Brushes from BLICK online Art Store.

The details from left to right:
  • Da Vinci Series 36 Kolinsky Round Size 10/0
  • Da Vinci Series 36 Kolinsky Round Size 5/0
  • Da Vinci 36 Kolinsky Round Size 4/0
  • Da Vinci 36 Kolinsky Round Size 0
  • Da Vinci 36 Kolinsky Round Size 1
  • Da Vinci 36 Kolinsky Round Size 2
  • Da Vinci 36 Kolinsky Round Size 3
  • Da Vinci 36 Kolinsky Round Size 4
  • Da Vinci 36 Kolinsky Round Size 5
  • Winsor And Newton Artist Sable Round Size 6 
  • Da Vinci 36 Kolinsky Round Size 8

Good Art material makes a difference with the outcome of any Painting. I wish many colorful days and long lasting association with my new brushes ;)

Happy Painting!

Monday, January 20, 2014

Continue to explore...


I continue to explore watercolor painting of flowers on the current theme- Floral.

Painting is always a joyful experience. Sometimes it is frustrating with watercolors, colors won't blend the way we want them to. If we let colors flow and blend naturally, they surprisingly produce amazing things on the paper.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Strathmore Watercolor Paper 400 Series, 140lb 300 g/m2 (stretched)
Size: 12" x 16" (30 cm x 40 cm)
Paints: Grumbacher - Violet, Winsor & Newton - Opera Rose, Olive Green, Hooker's Green, Grumbacher Academy - Cadmium Yellow Pale Hue
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

A common theme...


Doing a series of paintings on a common theme is quite common in Painting. I have been doing paintings on random themes lately. Now, I am planning to take a theme and do a series of paintings on the same theme. To start with I selected my first theme: Floral ;)

This is my second painting in this series, yet many more to come.

I tried to loosen up my brush strokes little bit in this painting, by making it little closer to abstract, leaving little details for viewers' imagination.

Every stroke is a learning in painting. It makes us discover more and more techniques if we loosen up our style little bit.

Happy Painting ;)

Materials 


Mediums: Watercolors
Surface: Aqvarelle Arches Watercolor Paper (block), 140 lb. Cold Pressed (stretched)
Size: 12" x 16" (30 cm x 40 cm)
Paints: Grumbacher - Violet, Winsor & Newton - Opera Rose, Cadmium Red, Olive Green, Hooker's Green, Grumbacher Academy - Cadmium Yellow Pale Hue
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Saturday, January 18, 2014

Gave a colorful life, finally...


Working with other Artists at the Workshop
It's been almost six months since I started a sketch for this painting at a workshop conducted by a Professional Artist Prity Lathia to our Kalakruti members. It was a very informative session and I learned few basics on what professional Artists look for in an Art, some details on materials etc. We could only do all the needed setup for starting a watercolor painting like taping the watercolor paper to the board, and finishing a quick pencil outline sketch, but had to take the taped and sketched board for painting later at home.

The paper remained just taped to the board for six months, waiting to be removed, very patiently ;) Finally, I have decided to release it by bringing it to a colorful life. I am glad that I did it, at last!

I never used to leave my art works unfinished for a long time. Recently, I've left many behind, unfinished like this. :( I am hoping to finish those all, this year.

Thanks to Mridula for organizing this workshop and Prity Lathia for conducting it, sharing some details on Professionals view of Art, also sharing some of her experience & knowledge with us, and having us started this very familiar flowers commonly seen across India.

Hadn't this workshop happened, I would never have done a painting of these beautiful flowers.

Happy Painting ;)

At various stages of taking life

Materials 


Mediums: Watercolors
Surface: Beinfang Watercolor Paper, 140 lb. 207 GSM (unstretched)
Size: 9" x 12" (23 cm x 30 cm)
Paints: Grumbacher - Violet, Light Red, Winsor & Newton - Opera Rose, Cadmium Red, Olive Green, Hooker's Green, Raw Sienna, Cobalt blue, Rowney Georgian - Burnt Sienna
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Saturday, January 4, 2014

A self-portrait...

A self-portrait

Every Artist, at some point or another would attempt one's own portrait- a self-portrait.

Long back, I tried a very rough imagination sketch of myself with a ball-point pen. Other than that, I have never tried myself as the main-subject of any of my paintings.

As I always enjoy doing portraits, I certainly enjoyed doing my own too. I don't know if it looks like "Giri" to others, but to me, it definitely looks like me. ;)

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Beinfang Watercolor Paper, 140 lb. 207 GSM
Size: 9" x 12" (23 cm x 30 cm)
Paints: Grumbacher - Violet, Light Red, Winsor & Newton - Raw Sienna, Cobalt blue, Hooker's Green, Rowney Georgian - Burnt Sienna
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend

Friday, January 3, 2014

Into New Year with New Hopes...


The original plant
Though I started this painting of a Money Plant, seen in our Family Room, during Christmas holidays, 2013...I could only call it finished today.  There is a belief that Money Plants bring in fortune. I hope this painting which connected 2013 and 2014 through my Art, brings in new hopes in 2014.

Happy Painting ;)

Materials 

Mediums: Watercolors
Surface: Strathmore Watercolor Paper 400 Series, 140lb 300 g/m2
Size: 10" x 20" (25 cm x 50 cm)
Paints: Grumbacher - Violet, Light Red, Winsor & Newton - Raw Sienna, Cobalt blue, Hooker's Green, Olive Green, Cadmium Lemon, Green Gold, Rowney Georgian - Burnt Sienna
Brushes: 10 round sable, 00 synthetic Winsor & Newton, and 000 Sable synthetic blend